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I Let You Go, by Clare Mackintosh
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THE NEW YORK TIMES BESTSELLER
The next blockbuster thriller for those who loved�The Girl on the Train�and Gone Girl... “a finely crafted novel with a killer twist.” (#1�New York Times�bestselling author�Paula Hawkins)
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On a rainy afternoon, a mother's life is shattered as her son slips from her grip and runs into the street . . .
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I Let You Go follows Jenna Gray as she moves to a ramshackle cottage on the remote Welsh coast, trying to escape the memory of the car accident that plays again and again in her mind and desperate to heal from the loss of her child and the rest of her painful past.
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At the same time, the novel tracks the pair of Bristol police investigators trying to get to the bottom of this hit-and-run. As they chase down one hopeless lead after another, they find themselves as drawn to each other as they are to the frustrating, twist-filled case before them. Elizabeth Haynes, author of Into the Darkest Corner, says, “I read I Let You Go in two sittings; it made me cry (at least twice), made me gasp out loud (once), and above all made me wish I'd written it . . . a stellar achievement.”
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*Peter James, author of Want You Dead
- Sales Rank: #21959 in Books
- Published on: 2016-05-03
- Released on: 2016-05-03
- Original language: English
- Number of items: 1
- Dimensions: 9.31" h x 1.22" w x 6.31" l, 1.35 pounds
- Binding: Hardcover
- 384 pages
From Publishers Weekly
At the start of British author Mackintosh’s accomplished debut, five-year-old Jacob Jordan lets go of his mother’s hand for an instant on a rainy evening in Bristol, England, and darts into the road, only to be struck and killed by a hit-and-run. The investigation lands on the desk of Det. Insp. Ray Stevens and his eager new detective constable, Kate Evans. Mackintosh alternates between the slow, but fruitless, police work and the movements of artist Jenna Gray, who’s haunted by Jacob’s death and relocates to an isolated Welsh village, where she keeps to herself, warming slightly to the local vet after finding an abandoned puppy, and even then keeping the details of her previous life a secret. Back in Bristol, Ray and Kate work the case to the ground, despite a lack of leads; predictable sparks fly, even though Ray is happily married with two children. Mackintosh easily shifts points of view and keeps readers on their toes, slowly upping the suspense, so that when she does reveal her twists they—mostly—work. (May)\n
Review
“Chilling, compelling, and compassionate.”—Paula Hawkins, #1�New York Timesbestselling author of�The Girl on the Train
“Astonishingly good.”— Lee Child, #1�New York Times�Bestselling Author of�Make Me
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“Genuinely shocking…[A] cunning psychological thriller.”—Marilyn Stasio, The New York Times Book Review
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‘“On the level of the movie�The Sixth Sense�for its cleverness…This kind of sharp, cunning writing makes one eagerly look forward to Mackintosh’s next novel.”—Shelf Awareness
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“An intense psychological thriller…[that] revels in surprises and twists…Outstanding.”—The Associated Press
“You'll be shocked by the twist in the middle of�I Let You Go—just don't spoil it for everyone else!”—PopSugar
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“Thrilling…a tense psychological thriller.”—Real Simple
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“Jaw-dropping…the kind of book that sticks in the reader’s mind well after the final sentence.”—Kirkus Reviews�(starred review)
“A�wonderfully layered thriller that skillfully builds from that one tragic event. It makes a good match for fans of Sophie Hannah and Erin Kelly.”—Library Journal�(starred review)�
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“Mind-bending.”—Booklist
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“Addictive…one thrill after another.”—Samantha Hayes, author of�What You Left Behind
About the Author
Clare Mackintosh spent twelve years on the police force in England and has written for The Guardian, Good Housekeeping, and other publications. A columnist for Cotswold Life and Writing Magazine, she is the founder of Chipping Norton Literary Festival and lives in the Cotswolds with her family.
Most helpful customer reviews
73 of 75 people found the following review helpful.
Compelling, gripping and will NOT let you go
By Lucy Literati
As soon as I finished this book, I tweeted: ‘Wow. Now I have to find the words to review this in more than that one word’. I’ve left it a few days and the story is still firmly with me.
What the blurb says:
A tragic accident. It all happened so quickly. She couldn't have prevented it. Could she?
In a split second, Jenna Gray's world is shattered. Her only hope of moving on is to walk away from everything she knows to start afresh. Desperate to escape her past, Jenna moves to a remote cottage on the Welsh coast, but she is haunted by her fears, her grief and her memories of the cruel November night that changed her life for ever.
DI Ray Stevens is tasked with seeking justice for a mother who is living every parent's worst nightmare. Determined to get to the bottom of the case, it begins to consume him as he puts both his professional and personal life on the line.
As Ray and his team seek to uncover the truth, Jenna, slowly, begins to glimpse the potential for happiness in her future. But her past is about to catch up with her and the consequences will be devastating . . .
Which rather cleverly (and from the perspective of someone who has now finished it), actually tells you everything and nothing all at once. At more than one point in this novel I thought I knew what I was reading and what was coming; each time I was wrong.
This novel just breaks all the rules - brilliantly and over and over again! I couldn’t put it down, despite the fact (and probably partly because) it is an intensely uncomfortable read for a variety of reasons. The first of which becomes clear very early on in the story and which I am therefore going to tell you about; I promise it will be the ONLY spoiler in this review.
The story opens with the tragic accident referred to in the blurb: ‘hit-and-run in Fishponds, guv. Five-year-old boy killed’. If, like me, you routinely avoid novels that might make you feel sad, I promise you won’t regret giving this one a go. Although the accident is the catalyst for the novel, there are SO many layers to this story: ‘I’ve told him more than I ever intended to, but I can’t tell him everything. If I do, he’ll leave, and I’ll have no one to stop me from falling’. Sooooo many questions!
Initially, the story moves between that of DI Stevens and his team investigating the accident, and that of those involved with Jacob (the five year old boy) himself. The police sections (ironically) serve as a palate cleanser in-between the faster-paced, higher-tension parts of the story. Don’t get me wrong, there are tensions there too:”‘Ray, you said no work!’ Ray was confused. ‘But the kids are in bed.’ ‘Yes, but I’m –‘Mags stopped…”. But without this part of the story, the reader would quite probably be holding their breath continually…
I honestly can’t remember the last novel I read that was comparable in terms of emotional experience. I felt all the same emotions as Jenna, deeply and compellingly. From grief: ‘Such a small impact on the world, yet the very centre of my own… The grief I feel is so physical it seems impossible that I am still living’; to anger and disgust: ‘You can’t do anything by yourself, Jennifer’; to guilt: ‘Each time a wave of fear hits me, I remind myself what I did, and that I have no right to be frightened’; and finally, complete and utter fear: ‘I will find you… Wherever you’ve gone to, I’ll find you. And then I will come for you’. Just imagine welcoming the idea of Prison, simply for the security and safety it provides. Chilling.
Later on in the story, the narrative is split further between Jenna and Ian, her husband. I would love to ask Clare Mackintosh whether writing Ian’s parts in the first person were as difficult to imagine and write as they are for the reader to read? Just incredible - infuriating, jarring and brutally honest.
I can’t talk in specifics about themes and events without spoiling the story, so I won’t. Suffice it to say, this novel will NOT let you go. Just read it.
‘You must remember that he was a boy. That he had a mother. And that her heart is breaking’.
80 of 84 people found the following review helpful.
Brilliant.
By Liz Barnsley
First of all I have no problem saying that this is the best psychological thriller I have read this year, no prevarication. For sheer addictive reading and utterly compelling character arcs, a very emotional storyline and some exquisite twists and turns throughout I loved this one very much.
Jenna has retreated from life after a tragic accident left her bereft – but in the small Welsh community she ends up in there is hope of a new start and a brighter future. However some things are difficult to let go of and as Jenna attempts to move forwards there are things pulling her back into her past, things she must face if she is ever to find happiness again.
This is a totally haunting read -Jenna is a brilliantly drawn character who you will feel for every step of the way. To suffer as she has is unimaginable, and putting the rest aside this is a very emotional and heart wrenching look at how unexpected tragedy can torment us and affect our very soul. The heart of the novel is right there in Jenna as she struggles with the mundane day to day and attempts to move on, her attitudes and expectations of the new people in her life are very well described and utterly authentic.
Added to that very human story is a terrific mystery element that keeps you avidly turning the pages to find out the truth of the matter – Jenna aside there is a terrific range of characters to follow along with as things become untangled and slowly but surely we are lead towards a brilliantly poignant and touching conclusion.
Overall then a truly magnificent tale and one that I have no trouble at all recommending to everyone – If you love reading you will love this. Simple.
Happy Reading Folks!
7 of 7 people found the following review helpful.
Not a great read
By Janis B.
This book started out GREAT! Terrific writing, interesting story, but devolved into a spousal abuse tale and a not very interesting one. All the elements of a good story were sort of thrown away and the plot lines became obvious. A predictable love story, a predictable result. Too bad. I was really enjoying the first half.
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