Selasa, 20 November 2012

[F526.Ebook] PDF Ebook HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini

PDF Ebook HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini

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HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini

HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini



HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini

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HBR's 10 Must Reads on Communication, by Deborah Tannen, Harvard Business Review, Nick Morgan, Robert B. Cialdini

New from the bestselling HBR’s 10 Must Reads series.

The best leaders know how to communicate clearly and persuasively. How do you stack up?

If you read nothing else on communicating effectively, read these 10 articles. We’ve combed through hundreds of articles in the Harvard Business Review archive and selected the most important ones to help you express your ideas with clarity and impact—no matter what the situation.

Leading experts such as Deborah Tannen, Jay Conger, and Nick Morgan provide the insights and advice you need to:

• Pitch your brilliant idea—successfully• Connect with your audience• Establish credibility• Inspire others to carry out your vision• Adapt to stakeholders’ decision-making styles• Frame goals around common interests• Build consensus and win support

  • Sales Rank: #1588387 in Books
  • Published on: 2016-08-09
  • Released on: 2016-08-09
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 7 Hours
  • Binding: Audio CD

About the Author
DEBORAH TANNEN is the acclaimed author of You Just Don’t Understand, which was on the New York Times bestseller list for nearly four years; the New York Times bestseller on mother-daughter communication You’re Wearing THAT?; I Only Say This Because I Love You; and many other books. A professor of linguistics at Georgetown University, she appears frequently on national television and radio. The youngest of three sisters, she lives with her husband in the Washington, DC area.

For over 30 years, Bob has worked with Senior Executive Teams and Boards on their most vital strategic and organizational challenges, both as a consultant and a corporate executive. He is considered one of the world's leading strategic facilitators, having designed and conducted offsites in sixteen countries with companies ranging from Fortune 10 multinationals to German mittelstand family businesses.�

Bob is the author of four Harvard Business Review articles: Off-Sites That Work (June 2006, co-authored with Logan Chandler), When Teams Can't Decide (November 2008), Who Really Makes The Big Decisions in Your Company? (December 2011), and Leadership Summits That Work (March 2015, co-authored with Cary Greene). HBR named When Teams Can't Decide one of ten 'must read' articles on teams



Nick Morgan, founder of Public Words Inc., is one of America’s top communication and speech coaches. He is a former Fellow at Harvard’s Kennedy School of Government, where he was affiliated with the school’s Center for Public Leadership. From 1998 to 2003, he served as editor of the Harvard Management Communication Letter. He is the author of the acclaimed book, Working the Room, reprinted in paperback as Give Your Speech, Change the World. Connect with Nick on Twitter @publicwords. Learn more at www.publicwords.com.

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Most helpful customer reviews

2 of 2 people found the following review helpful.
The articles where professional written for leaders to pull out useful and real-world principles that everyday leaders would enc
By Amazon Customer
HBR’s 10 Must Reads On Communication gives readers compelling data and practical information on the many important factors involved in helping leaders communicate. The articles where professional written for leaders to pull out useful and real-world principles that everyday leaders would encounter as the strive to present and express mission, vision, plans, projects or any other message they may desire to others they lead.
The compilation of articles in this book spends about half of its entirety on the topic of persuasion. Williams and Miller in Change the Way You Persuade, challenge presenters to understand the decision-making styles of their audience and plan accordingly. “Knowing the general characteristics of the different styles can help you better tailor your presentations and arguments to your audience” (Williams & Miller, 2002, p. 4). The five decision-making styles they propose are charismatic, thinker, skeptic, follower and controller. Curbing each presentation to these styles will promote better success for leaders who are trying to persuade others. Cialdini adds in his article Harnessing the Science of Persuasion that the ability to persuade is one of a leaders most critical tools. He gives explains six principles that when mastered can “bring scientific rigor to the business of securing consensus, cutting deals and winning concessions” (Cialdini, 2001, p.26). The six principles are liking, reciprocity, social proof, consistency, authority, and scarcity. By engaging in these principles leaders can begin understanding how others analyze information and make their decisions. Tannen takes a linguistic perspective on the idea of persuasion in her article, The Power of Talk. She states, “Everthying that is said must be said in a certain way – in a certiaiin tone of voice, at a certain rate of speed, and with a certain degree of loudness” (1995, p. 44). This article show how powerful the way an individual speaks can impact not just an audience but individual relationship in association with persuasive communication. Finally, Conger’s article, The Necessary Art of Persuasion lays out four essential elements that helps a leader to prepare a strategy of persuasion. 1) Establish credibility, 2) Frame goals for common ground, 3)Provide evidence, 4) Connect emotionally. Conger is convincing in the way he explains persuasion as more of an art then how Cialdini views it, more scientific.
As the reader moves further into this book they come to Is Silence Killing Your Company?, an article by Perlow and Williams. The authors in this article clearly explain how silence can be detrimental to a company in many circumstances. If employees don’t feel empowered to speak up conflict can stay bottled up and creativity will be stifled. They speak to three ways an individual can break the silence; recognize your power, act deviantly, and build a coalition. Each of these are important steps to take but the author does not address the importance how the business culture effects whether these steps will be successful. Each step here can be stopped in its tracks if the culture of your company doesn’t encourage communication or doesn’t have an intentional process for it. However, if the company culture does encourage speaking up these steps can help an individual thrive.
The next two articles, How to Become an Authentic Speaker by Nick Morgan and Telling Tales by Stephen Denning encourage speakers to be intentionally authentic in their speaking and utilize storytelling strategically in a message or presentation. Morgan’s focus is to help the reader see how “your intent” is crucial when you plan to be open with your audience, connect with your audience, passionate about your topic, and how you listen to your audience. These ‘intentions’ assist a communicator and will help them come across as authentic. Denning’s article helps to guide a leader to use the ‘power of narrative’ in a business setting. He cautions an individual to avoid using lengthy details that will make executives eye glaze over. The author takes an approach that storytelling can help bring alive certain situations and bring a creative flare to what might be otherwise boring data. Denning states, “Storytelling can translate those dryad n abstract numbers into compelling picture of a leaders goals” (2004, p. 118).
Elsbach’s article, How to Pitch a Brilliant Idea tends to focus more on the “catcher” than the “pitcher.” She suggests the catcher, those receiving the presentation, categorizes pitchers into showrunners (smooth and professional), artists (quirky and unpolished), and neophytes (inexperienced and na�ve). The author suggests that each pitcher show encompass one of these three categories when the pitch something to their executives. It is hard to imagine that an executive would want, as this author titles, a neophyte pitching an idea. Inexperienced, na�ve and ignorant are not necessarily the best quality traits for someone pitching a brilliant idea.
In The Five Messages Leaders Must Manage, Hamm challenges leaders with five messages that leaders should portray in order to avoid miscommunication. Hamm articulates how important a clear, focused vision can be. It will be communicated from a leader to those he/she manages will be impacted by; the organizational hierarchy, financial results, the leader’s understanding of his or her job, time management, and the corporate culture. When these messages can be communicated throughout the organization it forces top to bottom employees to unify and communicate the same thing together.
In the final article of the book, Taking the Stress Out of Stressful Conversations, Weeks persuasively boils down stressful conversations to taking on three different forms; “I have bad news for you”, “What’s going on here”, “Your attacking me”. Weeks article acknowledges there are times, especially in conflict or stressful times, that how we react, what and how we speak, and our preparation will determine successful communication.
Overall, HBR’s 10 Must Reads On Communication is very beneficial in helping leaders to communication with more clarity and passion. I would recommend this book to not just business leaders but for anyone that is looking to better communication in their specific area. The principles in this book can be used and achieved in many different environments. One critique on this book would be to limit the articles on persuasion. The topic of communication is extremely important and widely written on. I would like to see topics in the ten articles be different from the each other.

1 of 1 people found the following review helpful.
Taking the Stress Out of Stressful Conversations: Holly Weeks
By Kellie Spencer
An inevitable fact is that there will always be conversations which will bring about stress, the key is figuring out how to deal with these dialogues when they come up. Weeks’ (2001) article highlighted in HBR’s 10 Must Reads on Communication speaks to the three main communication errors individuals face in the workplace and also addresses three ways to counteract possible aversions that this stress brings about.
Weeks’ (2001) examines the types of stressful conversations one could have. She sums them up as the following introductions into a potential altercation: “I have bad news for you,” “What’s going on here?,” and “You are attacking me!” She suggests that these are three of the phrases that lead to individuals feeling offended, confused and frustrated. She goes on to give three examples, one for each of these scenarios, which help frame her position. I believe she does a great job at making her points in an easy to understand and intriguing way.
We all know how important communication is whether in a marriage, between friends and especially within the workplace. I’ve often heard the phrase uttered, “Communication is key,” to which I would have to agree. In order to effectively communicate Weeks’ suggests three ways in which we can prepare ourselves for a stressful conversation. “A good start is to become aware of your own weaknesses to people and situations” (Weeks, 2001). Understanding your vulnerabilities is an important way to know how you will react to a certain situation. “Once you know what your danger zones are, you can anticipate your vulnerability and improve your response” (Weeks, 2001, p. 173). The second suggestion to prepare would be to rehearse with a neutral friend, someone who is not going to judge you and someone who does not have the same communication style, this way it ensures impartiality (Weeks, 2001, p. 173). One quote that I really appreciated that brought the point home was “when your friend says ‘Tell me how you want to say this,’ an interesting thing happens: your phrasing is often much better, much more temperate, usable” (Weeks, 2001, p. 174). Then thirdly, be aware of body language. Nearly half of what is said can be interpreted through what you aren’t saying.
After preparations for the conversation have been established Weeks’ proposes three additional ways to manage the actual conversation. She recommends honoring thy partner, disarming by restating intent and fighting the tactics not the people (Weeks, 2001). Observing these theories while having a conversation can keep the stress to a minimum. “People think stressful conversations are inevitable. And they are. But that doesn’t mean they have to have bad resolutions” (Weeks, 2001, p. 179).
Weeks’ (2001) article is comprehendible in terms of taking away easy, tangible points that can be implemented immediately. I really valued her statement that “We need to learn communication skills, in the same way that we learn CPR: well in advance, knowing that when we need to use them, the situation will be critical and tense” (Weeks, 2001, p. 176). In order to implement these new skills within my life I have come up with a heuristic approach that I could incorporate whenever I face a stressful conversation. Always remember to alleviate stress by:
Speaking honorably to your partner
Tuning the phrasing
Rehearsing with a friend
Evaluating how you would react
Stating your intentions
Separating tactics from people
With these ideas in mind and developing a greater self-awareness of vulnerabilities anyone can walk away from a stressful conversation feeling confident that they didn’t explode and kept it professional. “The advice and tools described in this article can be helpful in unilaterality reducing the strain in stressful conversations” (Weeks, 2001, p. 180). If you want an easy to grasp read on how to manage a stressful conversation I would highly recommend giving this your attention.

References
Weeks, H., (2001). Taking the Stress Out of Stressful Conversations. In
Harvard Business Review Press (Eds.), HBR’s 10 Must Reads on Communication (pp. 165-180). Boston, Massachusetts: Harvard Business School Publishing Corporation.

1 of 1 people found the following review helpful.
and Kimberly Elsbach’s How to Pitch A Brilliant Idea. Williams and Miller argue that “executives tend ...
By Aaron McClary
Harvard Business Review’s 10 Must Reads on Communication features a compendium of research-laden articles from the flagship publisher’s archives on the topic of communication in the world of business. HBR’s aggregation includes pieces pulled from across the span of a little over a decade from Deborah Tannen’s The Power of Talk originally published in 1995 to Nick Morgan’s How to Become an Authentic Speaker originally published in 2008. While the scope of authorship is relatively narrow in terms of the snapshot in time that is represented by the articles contained therein, its authors represent a wide range of professional capacities including two CEOs, six professors, a sales executive, a communications consultant, and a venture capitalist.

Four of the selected articles focus primarily on the art of communicating persuasively. These articles include Gary Williams and Robert Miller’s Change the Way You Persuade, Robert Cialdini’s Harnessing the Science of Persuasion, Jay Conger’s The Necessary Art of Persuasion, and Kimberly Elsbach’s How to Pitch A Brilliant Idea. Williams and Miller argue that “executives tend to make important decisions in predictable ways…and knowing their preferences for hearing or seeing certain types of information at specific stages in their decision-making process can substantially improve your ability to tip the outcome your way.” In essence, the takeaway is that what matters most is having the right information at the right time for the right person. As inferred by his article’s title, Cialdini writes from the perspective of psychological research which suggests that “there are six basic laws of winning friends and influencing people.” In highlighting the data, Cialdini is quick to note that psychological manipulation through communication techniques is not only inappropriate but ineffective in the long-term. “…the rules of ethics apply to the science of social influence just as they do to any other technology.” Conger’s central thesis is that times have changed and the new corporate reality is that “work today gets done in an environment where people don't just ask ‘What should I do?’ but ‘Why should I do it?’” Thus, the communication of leadership must appeal to a compelling motivator within their subordinates’ culture. Finally, Elsbach identifies three creative stereotypes—coined as artists, showrunners, and neophytes—in which “catchers” traditionally place those who are making a pitch. Elsbach highlights the reality that “Research suggests that humans can categorize others in less than 150 milliseconds. Within 30 minutes, they've made lasting judgments about your character.” As a result, persuading the adoption of one’s idea takes forethought into how to leverage the most effective stereotype for the circumstance in order to get the desired outcome. The “pitcher’s” art of communication can make or break any given proposal.

In an intriguing article highlighting the dangers of intra-organizational silence, authors Perlow and Williams espouse the need for business cultures to be marked by a high valuation of open dialogue. As the article unfolds, we read about the high cost of silence in organizations and that “behind failed products, broken processes, and mistaken decisions are people who chose to hold their tongues rather than to speak up.”

In The Power of Talk author Deborah Tannen holds that “any way of speaking could be perfect for communicating with one person in one situation and disastrous with someone else in another.” As a result, Tannen outlines various circumstances and what methods of communication might prove most effective in each.

Morgan’s How to Become an Authentic Speaker and Denning’s Telling Tales share some common ground in that they both highlight the value of appealing to people’s hearts through communication that echoes sentiments of a more personal nature. Morgan, a multi-decade communications coach, encourages readers to “Focus not on what you want to say but on why you’re giving the speech and how you feel about that.” Similarly, Denning warns communicators about the dangers of a boring message. “Analysis might excite the mind, but it hardly offers a route to the heart-and that's where we must go to motivate people.

Rounding out the collection are Weeks’ article on Taking the Stress Out of Stressful Conversations and Hamm’s The Five Messages Leaders Must Manage. In the former, Weeks points to—among many other things—the danger found in the gap between communication and intent. Oftentimes the message gets lost, on either end, when intentions fail to match up with expectations. As a result, good communicators find the right tools to address conversations with heightened tension. Finally, The Five Messages Leaders Must Manage as outlined by John Hamm are 1) organizational structure and hierarchy, 2) financial results, 3) the leader’s sense of his or her job, 4) time management, and 5) corporate culture. Hamm’s premise centers around the idea that “By recognizing the impact of clear and direct communication and seeking feedback from their teams, leaders leverage, rather than abuse, their positional power.”

All in all, HBR's 10 Must Reads on Communication is a compelling read with enough substance to engage any communicator with tools to more effectively lead and manage the delivery of key messaging to their audience. Each article, on its own, delivers substantive commentary on the art of communication. However, the real value in this collection is not only finding what works in your particular circumstance but also curating elements from within each of the articles to craft a composite that’s tailored for maximum results in your leadership context.

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Senin, 19 November 2012

[G697.Ebook] Download Ancient Agriculture: Roots and Application of Sustainable Farming, by Gabriel Alonso De Herrera

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Ancient Agriculture: Roots and Application of Sustainable Farming, by Gabriel Alonso De Herrera

Ancient Agriculture: Roots and Application of Sustainable Farming, by Gabriel Alonso De Herrera



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Ancient Agriculture: Roots and Application of Sustainable Farming, by Gabriel Alonso De Herrera

The Art of Agriculture is the first English edition of Obra de Agricultura by Gabriel Alonso de Herrera, an agriculture instruction manual originally written in Granada, Spain, in 1513 and published there in 1539. Herrera, widely considered the Father of Modern Spanish Agriculture, wrote this treatise nearly five centuries ago, thoughtfully recounting traditional farming techniques of the Moors before their expulsion from Spain, the Spanish colonizers in the early 1600s, and the rural Indo-Hispano bioregion spanning northern New Mexico and southern Colorado. Today, farmers, gardeners, and ecological horticulturists are striving to work in harmony with nature, using traditional irrigation methods (involving acequias, sangras, and arroyos) to transform barren high-desert landscapes into fields supporting crop growth. This book speaks to today's farmers, no matter their size or output, in drought-ridden areas with land patterns characterized by natural ditches (acequias) and community water distribution systems (suertes). This type of agriculture exists not only in the American Southwest but from the Philippines to India to the Middle East. With global warming, water usage, and increased populations today, this book is more pertinent now than ever. Practical as well as philosophical, The Art of Agriculture will fascinate anyone interested in organic farming, sustainable agriculture, and permaculture worldwide.

  • Sales Rank: #1102791 in Books
  • Brand: Brand: Gibbs Smith
  • Published on: 2006-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .88" w x 8.00" l, 1.39 pounds
  • Binding: Hardcover
  • 168 pages
Features
  • Used Book in Good Condition

From the Inside Flap
Ancient Agriculture is the first English translation of the book that carried traditional farming techniques from the Old

World of Europe to the New World of the Americas. The original book, Obra de Agricultura by Gabriel Alonso de Herrera, was initially published in 1513 as an instruction manual for the farmers of Talavera de la Reina in central Spain. It was revised several times as the author learned increasingly more about land use and sophisticated irrigation techniques beyond the Iberian Peninsula, which Moorish farmers of the day had blanketed in exotic fruits and vegetables.

Historically, Herrera's agricultural classic has been especially relevant in arid regions of the world, where crops are irrigated by means of ditches such as acequias, sangr�as, and arroyos, which also crisscrossed the landscape of Spain at the start of the sixteenth century. Many of Herrera's planting, harvesting, and seed-saving tips have, in fact, been successfully integrated into Indo-hispanic farming practices in the southwestern United States, where drought conditions and the need for water conservation typically prevail.

The present edition, Ancient Agriculture, has been meticulously translated, illustrated, and compiled for contemporary use. Areas of focus include working the land in harmony with nature and producing more food through soil improvement, cultivation of vineyards, and awareness of astrological influences. The interweave of ancient farming traditions and modern realities of global warming makes this treasure trove of the past a seedbed for a whole new generation of farmers and gardeners striving for agricultural sustainability.

GABRIEL ALONSO DE HERRERA, considered the father of modern-day Spanish agriculture, lived in central Spain from the time of his birth, in the 1470s, until his death, around 1540. He learned about agriculture from working in the fields of Talavera de la Reina with his father, in Granada with the Moors, studying Spanish Arabic and classical Roman texts on the subject, and traveling extensively throughout Europe.

JUAN ESTEVAN ARELLANO, a journalist and farmer native to northern New Mexico, has roots reaching back to the 1725 settlement of the Embudo Valley. A poet and novelist as well, he is the 1994 recipient of Mexico's Premio Nacional de Literatura Jos� Fuentes Mares prize.

From the Back Cover

GABRIEL ALONSO DE HERRERA, considered the father of modern-day Spanish agriculture, lived in central Spain from the time of his birth, in the 1470s, until his death, around 1540. He learned about agriculture from working in the fields of Talavera de la Reina with his father, in Granada with the Moors, studying Spanish Arabic and classical Roman texts on the subject, and traveling extensively throughout Europe.

JUAN ESTEVAN ARELLANO, a journalist and farmer native to northern New Mexico, has roots reaching back to the 1725 settlement of the Embudo Valley. A poet and novelist as well, he is the 1994 recipient of Mexico's Premio Nacional de Literatura Jos Fuentes Mares prize.

Excerpt. � Reprinted by permission. All rights reserved.

Distribution of water follows the concept of repartimiento de agua (equal distribution of water), which is based on the Moorish notion of equidad that comes from the Qur’an, referring to the fact that regardless of the amount of water in the river, water is equally dispersed according to the amount of land under cultivation. Essentially, the water in each acequia is divided by the number of acres requiring irrigation. In drought years, however, people receive a paper note telling them when they can have the water and for how long, to ensure conservation of this precious resource.

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1 of 1 people found the following review helpful.
This translation of the old Spanish work by Alonso de ...
By N. BLESER
This translation of the old Spanish work by Alonso de Herrera is impressive in its dedication, a jewel set together by Estevan Arellano and the translators in his team. Mr. Arellano would have wished to see the second part of this treaty on agriculture, but unfortunately passed away recently. Nonetheless, he left us this important legacy in a time in which we so much need to go back to a sustainable way of nurturing us, through nurturing the earth in a natural way inherited from the wisdom of ancient times. A must-read for those who still have the connection to Mother Earth, and for those who want to remember how it felt to be connected to her. Gracias Estevan por tu enorme contribuci�n, que descanses en paz.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
a great piece of agricultural history. Very good value

5 of 5 people found the following review helpful.
Insights into traditional farming techniques of the Moors
By Midwest Book Review
It'd be tempting to place this survey under 'Home and Garden' for this review - but really, ANCIENT AGRICULTURE: ROOTS AND APPLICATION OF SUSTAINABLE FARMING deserves so much more. It'll reach an audience of farmers, gardeners, and history buffs with the first English translation of Obra de Agricultura, offering an early agricultural instruction manual originally written in Spain in 1513 - and holding importance for modern times. Here are insights into traditional farming techniques of the Moors before their expulsion from Spain: techniques which hold surprising relevance to modern farmers facing global warming and water shortages.

Diane C. Donovan

California Bookwatch

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Selasa, 13 November 2012

[R289.Ebook] Download Ebook Repacking Your Bags: Lighten Your Load for the Good Life, Third Edition, Updated and Expanded, by David A. Shapiro, Richard J. Leider

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Repacking Your Bags: Lighten Your Load for the Good Life, Third Edition, Updated and Expanded, by David A. Shapiro, Richard J. Leider

The first and second editions of Repacking Your Bags helped people develop their own unique visions of the good life and take practical steps at home and at work to make sense of their lives and live in an authentically meaningful way. Written as a travel guide it helped people to put together a "trip checklist" that provided the elements of the good life: work, love, place, and purpose.

But Leider and Shapiro came to realize that repacking is not something we do once or twice in reaction to a sense of disillusionment or frustration in our lives. Developing one's own vision of the good life is a matter of constant and evolving choice, as the inevitable shifts and surprises life has to offer continually unfold before us. With each step along the way, it remains necessary to reexamine what has brought us here, to continue asking ourselves if the choices that have sustained us so far are continuing to do so - or if they're just weighing us down.

This edition has been thoroughly revised to make it applicable for listeners today. The changes include:

  • Refocused message on the new life and work realities and the survival skills required to succeed
  • More practices and experiences for "lightening your load"
  • Fresh new stories of "people just like me", the listener
  • A new "Repacking Journal"
  • Addition of Leider's immensely popular Calling Cards exercise for discovering your gifts, passions and values, with access to a Calling Cards online profile

  • Sales Rank: #110567 in Audible
  • Published on: 2012-08-27
  • Format: Unabridged
  • Original language: English
  • Running time: 355 minutes

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Kamis, 08 November 2012

[K351.Ebook] Fee Download Immigration and American Popular Culture: An Introduction (Nation of Nations), by Rachel Lee Rubin, Jeffrey Melnick

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Immigration and American Popular Culture: An Introduction (Nation of Nations), by Rachel Lee Rubin, Jeffrey Melnick

How does a 'national' popular culture form and grow over time in a nation comprised of immigrants? How have immigrants used popular culture in America, and how has it used them?

Immigration and American Popular Culture looks at the relationship between American immigrants and the popular culture industry in the twentieth century. Through a series of case studies, Rachel Rubin and Jeffrey Melnick uncover how specific trends in popular culture—such as portrayals of European immigrants as gangsters in 1930s cinema, the zoot suits of the 1940s, the influence of Jamaican Americans on rap in the 1970s, and cyberpunk and Asian American zines in the1990s—have their roots in the complex socio-political nature of immigration in America.

Supplemented by a timeline of key events and extensive suggestions for further reading, Immigration and American Popular Culture offers at once a unique history of twentieth century U.S. immigration and an essential introduction to the major approaches to the study of popular culture. Melnick and Rubin go further to demonstrate how completely and complexly the processes of immigration and cultural production have been intertwined, and how we cannot understand one without the other.

  • Sales Rank: #153688 in Books
  • Published on: 2006-12-06
  • Released on: 2006-12-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .78" w x 6.00" l, .93 pounds
  • Binding: Paperback
  • 302 pages

Review

“A thought-provoking examination of immigration history.”

-Choice

“In this eminently readable and insightful overview of U.S. cultural history in the last century, Rachel Rubin and Jeffrey provide a view into the roiling production of American culture.”
-Journal of American Ethnic History



“A sprawling and uniquely synthetic account of the role immigrants have played as performers, entrepreneurs, and as the subjects of the mass culture industry. Brings a stunning, transnational array of immigrant cultural forms, immigration policies, and cohorts together in new and important ways.”
-Rachel Ida Buff,University of Wisconsin-Milwaukee



“Rachel Rubin and Jeff Melnick show us the skinny on pop's melting pot. The cauldron does not burn off immigrant character, creating American sameness, but intensifies its many tastes. Ladle after ladle of ethnic infusions go into the pot—Scarface to Gypsy Punks, pachuco zoot suiters to Ravi Shankar, Jimmy Cliff to West Side Story. They compound the terms of race and place until they reform the mainstream. And, suddenly, that old wasp canon has become just another ethnic style.”
- W. T. Lhamon, Jr.,author, most recently, of Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture



“This book’s account of the interaction of immigration, popular culture, and mainstream America is loaded with brief chronicles of different levels of histories—histories of American immigration, popular culture forms, immigration laws, American cultural imperialism, and mainstream representations of immigration.”
-African American Review



“Eloquently written.”

-Popular Music

"Immigration and Popular Culture: An Introduction is an excellent and very necessary contribution to American Studies and to the complex and important relationship between the two topics in its title."-Norma Coates,American Studies Journal

About the Author

Rachel Lee Rubin is Professor of American Studies at the University of Massachusetts Boston. She is author of Immigration and American Popular Culture (with Jeffrey Melnick, NYU Press) and Jewish Gangsters of Modern Literature, and co-editor of American Popular Music: New Approaches to the Twentieth Century and Radicalism in the South since Reconstruction.



Jeffrey Melnick is Associate Professor of American Studies at Babson College. He is author of A Right to Sing the Blues: African Americans, Jews, and American Popular Song and Black-Jewish Relations on Trial: Leo Frank and Jim Conley in the New South.

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7 of 7 people found the following review helpful.
From Rico to Rosalita
By Found Highways
One of the most important points Rachel Rubin and Jeffrey Melnick make in their book Immigration and American Popular Culture is that migration patterns aren't random. People don't just start spilling out from their countries for no reason, heading to various destinations with no purpose.

Rubin and Melnick use a lot of movies and plays (their chapter on West Side Story and The Young Savages is excellent) to show how American pop culture changed the immigrants, how the immigrants changed the pop culture, and how the pop culture reflected the immigrants' lives back to them and to the society at large.

In some ways pop culture told truths about new immigrants, but in other ways pop culture (sometimes with the connivance of the immigrants themselves) told lies. One of the creators of West Side Story said he'd never been poor and had never met a Puerto Rican. But a lot of the producers of the show were gay. Maybe they were talking about more than one kind of outsider. (At risk of sounding like one of Jerry Seinfeld's jokes, there's nothing wrong with someone from one outsider group recognizing the hardships and pain felt by another.)

Another point Rubin and Melnick make is how immigrant groups that were "working toward whiteness" engaged in a "masquerade" that was similar to the blackface minstrelsy that went back to post-Civil War Reconstruction.

Sometimes the "blacking up" was relatively subtle, like the Jewish Edward G. Robinson playing the Italian Rico in Little Caesar. Sometimes it wasn't so subtle, like Al Jolson on his knees in blackface singing "Mammy."

Some pop culture critics say immigrants used "blackface" (either literal paint or just trying to adopt black "cool") as a way of identifying WITH blacks, whereas some immigrant performers wanted to mock blacks and show a distinction between themselves and blacks.

Another interesting book on this subject that just came out is Black Like You by John Strausbaugh. Strausbaugh compares the generation of immigrant teenagers that made the song "Jump Jim Crow" a hit in the late nineteenth century in New York to the first generation of rock and rollers.

Well, Elvis just took black music and made it okay for white kids to dance to.

I can't help think that whites are always going to give the "appropriators" of black culture more credit for respecting that culture than blacks can, or think they should. Bing Crosby supposedly supported black artists more than anyone with his influence (read White Christmas: The Story of a Song by Jody Rosen), but watching him and Marjorie Reynolds in blackface in Irving Berlin's Holiday Inn makes you cringe.

Another Irving Berlin song goes: "Let me sing of Dixie's charms/Of cotton fields and Mammy's arms/And if my song can make you homesick/I'm happy."

The trouble is, that home never existed.

By the way, Trent Lott just announced he's running for the position of minority whip in the Senate. Looks like he'll get it, too. What he said about Strom Thurmond - - that was ages ago.

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